On 16th March 2018, The Magic Gang released their long-awaited self-titled album, gratifying their fans with an incorporation of old and new, heavy and dreamy but an all-round beautifully constructed record.
We are super enthusiastic about The Magic Gang because they are openly supportive of fighting against sexual assault at gigs. It is extremely important that this is recognised by musicians from all genres, orientations, styles and so forth. By openly supporting Girls Against, The Magic Gang are supporting the fact that intersectional feminism is relevant, appropriate and (almost) as cool as their stage presence when performing their bangers live!
As I strolled down Mount Street in Liverpool with Your Love playing through my headphones, I could have easily been on the way to the Cavern in the sixties.
To me, the album feels like it was made for live performance. Hearing the re-worked versions of All This Way and Jasmine, for example, creates a desire for the atmosphere at a Magic Gang gig because of the memories that these songs have brought fans over the past few years. By including these in the album, the record still has a feel of the bands’ hard work and determination that has lead them to this point in their career – they have been solely committed to their music and it has most definitely payed off. Although, the track list does seem like a trip through the eras because their music could easily fit into the plethora of influential styles and bands that have crafted indie music of today.
I wanted to focus on some of the newer tracks for a deeper analysis – starting with an energetic opening to the album – Oh, Saki. The Motown drums and melodic bass line give an upbeat vibe to the song, leading to an interesting guitar solo to give the track a flare. However, this compliments the beautiful harmony in the second half of the song.
This is also evident in Caroline, where harmonies and grungy guitars blend seamlessly, producing yet another catchy chorus with brilliant vocal arrangement. The bass locks in with the bass drum in the verse which creates the solid beat which we can’t help aimlessly bopping to…
A personal favourite, Take Care has Gus on lead vocals. The Abbey Road piano sound with a reminiscent start leads to the modernised feel of the drum sound. The bass development through the song builds it perfectly, and the well-written lyrics including “take good care of yourself” compliment the new dynamic to the song, whilst ending where it started on piano and vocals.
Finally, Bruises has an interesting vocal sound that compliments the chord progression in the song. There is some great lead guitar throughout, which is reminiscent of Oasis.
The Magic Gang have an incredible summer lined up, playing at various festivals such as Reading and Leeds and TRNSMT Festival. They have also just finished their UK tour; you can find some snaps from supporters on our Instagram @girls.against – keep sending us pictures!
Ultimately, this debut album has impressed, inspired and enriched the music scene. Not only is it an easy listen, but an intricately crafted piece that deserves the upmost success.
Written by Megan Ryder-Maki.
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