Welcome back to the GA Book Club! It feels like I haven’t written a book club post in a long time because the first Sunday of the month has fallen a little later than usual. But that’s good because it’s given me time to really get stuck into April’s book, Sister Outsider by Audre Lorde.
Before I talk about the text, I’ll tell you a little bit about Lorde herself as she is truly a remarkable woman. Born in New York City in 1934, Lorde was predominantly a poet throughout her life. In everything she did, she voiced issues of gender, race and sexuality. Lorde herself was a black, female, lesbian feminist, something she discusses throughout many of the essays in this book, and so, obviously, these issues were very close to her heart. After a long battle with cancer, that she documented in The Cancer Journals (1980), she passed away in 1992 shortly after taking on an African name, Gamba Adisa, meaning “she who makes her meaning clear.” She is viewed as an important figure in the twentieth century feminism movement and, in my opinion, is one of the few second-wave feminists who consistently advocated intersectionality within feminism.
The essays and speeches within this text are both academic and personal but each and every one of them felt like a really important read. Unfortunately, I don’t have time to talk about every essay within the book but I will discuss some of my favourites.
Moving through chronologically, I’ll start with ‘Poetry Is Not a Luxury’, one of her shorter essays. In this essay, Lorde discusses how essential poetry is for women’s existence in a world where they are restricted in so many ways. She states, ‘Poetry is the way we help give name to the nameless so it can be thought.’ She also describes the power of poetry in bringing freedom and revolution to women. As a lover of literature and a believer that culture really can bring about change, I loved this essay so much.
In ‘An Open Letter to Mary Daly’, Lorde discusses what is today referred to as ‘white feminism’ and portrays the dangerous problems of exclusionary empowerment. She discusses the importance of white women, who are inherently privileged by the very nature of their race, speaking up for black women. She addresses white women in saying, ‘The white women with hoods on Ohio handing out KKK literature on the street may not like what you have to say, but they will shoot me on sight.’ This anecdote is the perfect example of why it is so important for everyone to make use of their privilege. It also reminded me of the recent incident of two black men being arrested at a Starbucks in America for no other reason than that they were there. If you watch the video, it’s clear that the black men know they cannot speak up for themselves in fear of further accusations, whereas the white man is`able to do so without caution. This is a great example of how to use your privilege but also a harrowing representation of the extent to which racism still exists in America.
In a further discussion of the importance of intersectionality within feminism in the essay ‘The Master’s Tools Will Never Dismantle the Master’s House’, Lorde points out that it is not just necessary to value intersectionality but extremely beneficial. She states, ‘Difference must be not merely tolerated but seen as a fund of necessary polarities between which our creativity can spark like a dialectic.’ Lorde’s discussion of feminism is so ahead of its time and, despite the fact that it was first published in 1984, it’s still a really important book for 2018 because of this sophistication.
‘A room of one’s own may be a necessary for writing prose, but so are reams of paper, a typewriter, and plenty of time.’ This quote from the essay ‘Age, Race, Class, and Sex’ might just be my favourite from the entirety of the text. By referencing Virginia Woolf’s book about the disadvantages women face in the cultural sphere, particularly the literary one, Lorde portrays how there isn’t just one level of oppression. It may have been hard for white women to break into the literary world because of societal attitudes and disadvantaged education but many black women may not have even had the privilege of any education and the societal barriers that faced them meant that maybe they couldn’t get a seat on the bus, never mind admission to university. I am not degrading certain types of oppression in this discussion but rather portraying just how many different levels of oppression there are, which is why we must consider women as a group as varied and diverse and cater our feminism as such. As Lorde states, ‘Some problems we share as women, some we do not.’
Finally, Lorde’s essay, ‘The Uses of Anger: Women Responding to Racism’ is so great and extremely thought-provoking. She explains why angry responses to racism (and all other issues of discrimination) are totally justified. Today, we are told to talk about feminism and oppression in a ‘calm and collected’ manner in order to be ‘taken seriously’- but this essay made me think, why should we? We have a right to be angry about the oppression women, people of colour and the LGBTQ community have faced. We shouldn’t have to smile and calmly dismiss sexist comments in order to be taken seriously. We should be taken seriously because these issues are real and affect millions of people every single day. Lorde states that dismissing black women’s arguments purely because they are angry ‘is merely another way of preserving racial blindness, the power of unaddressed privilege, unbleached, intact.’ So the next time someone tells you that they will not listen to you if you are angry, tell them that you won’t listen to them unless they ARE angry, because they should be.
One of our reps, Emma Randall, is sharing her views on ‘Sister Outsider’ this month:
‘Audre Lorde’s ‘Sister Outsider’ is filled with inspirational and eye opening passages. Whether it being in her anecdotes during her ‘Trip to Russia’ and ‘Grenada revisited’ or in the transcript of an interview with Adrienne Rich, Lorde teaches us what it is like to be a black lesbian feminist through the powerful use of words in this collection. For me, ‘Sister Outsider’ amazed me in the way in which she used language to convey her thoughts and opinions. By writing almost poetically, Lorde was able to question the representation of black lesbian feminists and tackle issues regarding racism, homophobia, ageism and sexism in such a powerful way. In the essay ‘Poetry Is Not A Luxury’, Lorde explores the power of poetry and that it is ‘the vital necessity of our existence’ as it allows us to conceptualise ideas. Poetry provides Lorde with the ability to challenge society and the racism embedded into the system. Through poetry, those who have been oppressed are strong, she explains there is power in such differences and these must empower us. The oxymoron in the title ‘Sister Outsider’ suggests that Lorde doesn’t fit into any group in society and that she must create a sense of belonging for herself. The struggles faced by Lorde are presented in ‘An Open Letter to Mary Daly’. In this letter, Lorde writes to the white feminist author Mary Daly asking her about the absence of black goddesses in her book ‘Gyn/Ecology’.
‘Why are her goddess images only white, western European, judeo Christian? Where was Afrekete, Yemanje, Oyo and Mawulisa? Where were the warrior goddesses of the Vodun, the Dahomeian Amazons and the warrior women of Dan?’
Lorde shows that a Eurocentric scope dealing with only the ecology of Western women has been included in the book. In excluding black female heritage from the book Lorde suggests that a lack of understanding about the history of the black female is evident. This again marginalizes Lorde, deeming her as an outsider. It is important to take this message and apply it to our own experiences. Is the representation of all women included? Her letter received no reply from Mary Daly and was subsequently opened up to the community of women.
This collection has influenced many of my current thoughts and opinions, Lorde is able to inform the reader of the institutional dehumanization that oppresses minority groups in 1970 and 1980 America. Yet, this collection expands to all areas of society and it is timeless, I would recommend it to all.’
Emma and I will be going live on the Girls Against Instagram this evening at 5:30pm to discuss more about our views on Lorde’s essay collection so keep an eye out on our Instagram to join in the discussion and ask us any questions!
For the month of May, the book club will be reading ‘Herland’ by Charlotte Perkins Gilman. Published in 1915, this is the earliest novel we have read so far. It’s a utopian novel describing an isolated society composed entirely of women. Perkins Gilman was a feminist writer of the 19th and early 20th century and she also wrote the well known short story ‘The Yellow Wallpaper’. ‘Herland’ is a fairly short novel so there’s no excuses not to join in and read it this month! You can join our GoodReads group to keep up to date with the book club and contribute to the discussion of all of the texts we read. You can also email us with your views on ‘Herland’ at firstname.lastname@example.org and, with your permission, we will include them in next month’s post! The post on ‘Herland’ will go up on Sunday 3rd June so please send any opinions over before then.
Hopefully see you over on our Instagram this evening for more discussion of ‘Sister Outsider’!