‘The Magic Gang’ – Album Review

On 16th March 2018, The Magic Gang released their long-awaited self-titled album, gratifying their fans with an incorporation of old and new, heavy and dreamy but an all-round beautifully constructed record.

The Magic Gang are currently number 15 in the UK album charts.

We are super enthusiastic about The Magic Gang because they are openly supportive of fighting against sexual assault at gigs. It is extremely important that this is recognised by musicians from all genres, orientations, styles and so forth. By openly supporting Girls Against, The Magic Gang are supporting the fact that intersectional feminism is relevant, appropriate and (almost) as cool as their stage presence when performing their bangers live!

As I strolled down Mount Street in Liverpool with Your Love playing through my headphones, I could have easily been on the way to the Cavern in the sixties.

To me, the album feels like it was made for live performance. Hearing the re-worked versions of All This Way and Jasmine, for example, creates a desire for the atmosphere at a Magic Gang gig because of the memories that these songs have brought fans over the past few years. By including these in the album, the record still has a feel of the bands’ hard work and determination that has lead them to this point in their career – they have been solely committed to their music and it has most definitely payed off. Although, the track list does seem like a trip through the eras because their music could easily fit into the plethora of influential styles and bands that have crafted indie music of today.

I wanted to focus on some of the newer tracks for a deeper analysis – starting with an energetic opening to the album – Oh, Saki. The Motown drums and melodic bass line give an upbeat vibe to the song, leading to an interesting guitar solo to give the track a flare. However, this compliments the beautiful harmony in the second half of the song.

This is also evident in Caroline, where harmonies and grungy guitars blend seamlessly, producing yet another catchy chorus with brilliant vocal arrangement. The bass locks in with the bass drum in the verse which creates the solid beat which we can’t help aimlessly bopping to…

A personal favourite, Take Care has Gus on lead vocals. The Abbey Road piano sound with a reminiscent start leads to the modernised feel of the drum sound. The bass development through the song builds it perfectly, and the well-written lyrics including “take good care of yourself” compliment the new dynamic to the song, whilst ending where it started on piano and vocals.

Finally, Bruises has an interesting vocal sound that compliments the chord progression in the song. There is some great lead guitar throughout, which is reminiscent of Oasis.

The Magic Gang have an incredible summer lined up, playing at various festivals such as Reading and Leeds and TRNSMT Festival. They have also just finished their UK tour; you can find some snaps from supporters on our Instagram @girls.against – keep sending us pictures!

Ultimately, this debut album has impressed, inspired and enriched the music scene. Not only is it an easy listen, but an intricately crafted piece that deserves the upmost success.

Written by Megan Ryder-Maki.
Twitter: @ixxmcmxl | Instagram: @bbtalkz

The Importance of Intersectional Feminism

When promoting her autobiography Brave earlier this year, Rose McGowan was confronted by a transgender woman, who accused her of being a ‘white cis feminist’, following her comment on RuPaul’s What’s The Tee? Podcast, where she stated “That’s [feeling like a woman on the inside] not growing as a woman, that’s not living in this world as a woman and a lot of the stuff I hear trans [women] complaining about, yeah, welcome to the world.”

These comments are undeniably transphobic and unacceptable and McGowan has a history of making offensive remarks such as these ones . She has previously stated that Caitlyn Jenner “doesn’t understand” being female and claimed “I have an indictment of the gay community right now…gay men are as misogynistic as straight men”. Considering that she is a public figure who has the ability to influence the masses, these comments are beyond irresponsible.

The woman who called out Rose was escorted out of the event, whilst she continued to chant ‘white cis feminism’. Girls Against wants to address and respond to this incident in explaining the importance of intersectional feminism.

The term ‘intersectional feminism’ was first used by civil rights advocate and scholar Kimberlé Crenshaw in 1989. Whilst studying to become a lawyer, she noticed that gender and race were perceived as two separate issues. She believed that studying them in isolation made no sense. The Merriam-Webster dictionary defines intersectionality as “the complex, cumulative manner in which the effects of different forms of discrimination combine, overlap, or intersect”. So, to put it simply, intersectional feminism recognises that the discrimination women face does not exist in one bubble – different kind of prejudice can be amplified in different ways when combined. Thus recognising, with regards to this situation, that the prejudice and discrimination a transgender woman might face is undoubtedly different to the prejudice and discrimination that a white-cis woman would is extremely important.

To assume that feminism is only for white, cis-gendered women is wounding to the movement itself and feminism that promotes this idea is not really feminism at all. Akilah Hughes, also known as Akilah Obviously on YouTube, has created a great video that explains intersectionality in the form of pizza – it is well worth a watch!

https://www.youtube.com/watch?v=FgK3NFvGp58&feature=youtu.be

Laverne Cox, who considers herself a feminist demonstrated how important it is that feminism is inclusive and for everybody, “I think the trans movement and the LGBT movement in general really has to be a social justice movement where we look at issues of race and class and xenophobia in general”.

Another example of someone who has wonderfully demonstrated the need for intersectional feminism is sixteen-year-old Rowan Blanchard who wrote an essay on the topic:

“White feminism” forgets all about intersectional feminism. The way a black woman experiences sexism and inequality is different from the way a white woman experiences sexism and inequality. Likewise with trans-women and Hispanic women. While white women are making 78 cents to the dollar, Native American women are making 65 cents, black women are making 64 cents, and Hispanic women are making 54 cents. Kimberlé Crenshaw said it perfectly in 1989 when she said “The view that women experience oppression in varying configurations and in varying degrees of intensity. Cultural patterns of oppression are not only interrelated, but are bound together and influenced by the intersectional systems of society. Examples of this include race, gender, class, ability, and ethnicity.”

What I have (very briefly) discussed about the importance of intersectional feminism reinforces that feminism is not feminism if it is not for all. Girls Against truly believes in this and as a campaign we are always here for everyone.

 

Written By Megan Ryder-Maki (@ixxmcmxl on Twitter.)