‘Someone Out There’ is the sophomore album from the ridiculously talented Rae Morris. On this new album, Morris has expanded her sonic horizons and ventured into new areas of production, creating a record that is ambitious and adventurous, whilst retaining some of the character that attracted fans to her debut album ‘Unguarded’.
Opening with ‘Push Me To My Limit’, Morris’ vocals are pushed right to the forefront, sounding better than ever. This track builds and builds before slowly fading out. After this point, the album could take one of two directions. It could’ve stayed in the lane of her debut and continued with more piano ballads, but instead, we are launched into ‘Reborn’ – the first single lifted from ‘Someone Out There’, which Morris described as “a sort of Europop banger”. She’s not mistaken, the track delivers the emotional depth of a typical Rae Morris song through its lyrics, but introduces us to a more pop direction with its electronic production and catchy chorus. The song has a positive message of self-reinvention and being content with the possibility of changing as a person.
Following this, ‘Do It’ is (arguably) one of the best tracks released in 2017 and in my opinion, should’ve been at least a Top 5 single on the charts. But alas, we live in a world of great injustice… It also has a positive message, encouraging people to try new things and pursue their gut instinct.
Before listening to the full album, I was slightly concerned that it would not be able to live up to the hype created by the singles, but ‘Dip My Toe’ is the first of many tracks on the latter half of the album which proved me wrong. It’s an infectiously catchy song about experimentation, the excitement of being single and finding a new relationship and the production is absolutely stellar.
Morris is particularly proud of the production on the album’s penultimate track ‘Rose Garden’, which is the most experimental song she has ever released. She also stated in a Twitter Q&A that it is “very special and particularly moving” for her to listen to and told fans that she intends to explore this new avenue of electronic production on future releases.
The album closes with my favourite track, ‘Dancing With Character’, which tells the tale of an elderly couple who used to go dancing together. The husband lost his wife, but the song tells us that he continues to go dancing without her, retracing their steps. It showcases the beauty of love, how we remain connected to those we have lost through things as simple as movement. The song closes in a beautiful moment that sounds just like an Elton John track, a gorgeous ending to an emotional rollercoaster of an album.
All in all, this record is totally stunning and is definitely a contender for the ‘Best of 2018’ lists. If you’re a fan of Björk, Kate Bush or Grimes, then you’ll probably adore this record as much as I do. This album isn’t a grower, it’s one you fall head over heels in love with upon first listen.
Written by Conor Giblin (@conorjgiblin on Twitter.)